Bach Bibliography Search Result

Series : ^MPerception$
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Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Huron, David	Note-Onset Asynchrony in J. S. Bach's Two-Part Inventions.	MPerception	10	4	Summer 1993	435-443
	2.	Vos, Piet G; Geenen, Erwin W. van	A Parallel-Processing Key-Finding Model.	MPerception	14	2	Winter 1996	185-223
	3.	Temperley, David	What's Key for Key? The Krumhansl-Schmuckler Key-Finding Algorithm Reconsidered.	MPerception	17	1	Fall 1999	65-100
	4.	Verkaart, Paul P.; Vos, Piet G.	Inference of Mode in Melodies.	MPerception	17	2	Winter 1999	223-239
	5.	Collins, Denis; Schloss, Andrew	An Unusual Effect in the Canon per Tonos from J.S. Bach's Musical Offering.	MPerception	19	2	Dec 2001	141-153
	6.	Chaffin, Roger; Imreh, Gabriela; Lemieux, Anthony F.; Chen, Colleen	'Seeing the big picture': Piano practice as expert problem solving.	MPerception	20	4	Jun 2003	465-490
	7.	Toiviainen, Petri; Snyder, Joel S.	Tapping to Bach: Resonance-Based Modeling of Pulse.	MPerception	21	1	Sep 2003	43-80
	8.	Davis, Stacey	Implied Polyphony in the Solo String Works of J. S. Bach: A Case for the Perceptual Relevance of Structural Expression.	MPerception	23	5	Jun 2006	423-446
	9.	Chaffin, Roger; Lemieux, Anthony F.; Chen, Colleen	'It is different each time I play': Variability in Highly Prepared Musical Performance.	MPerception	24	5	Jun 2007	455-472
	10.	Thompson, Sam; Williamon, Aaron; Valentine, Elizabeth R.	Time-Dependent Characteristics of Performance Evaluation.	MPerception	25	1	Sep 2007	13-29
	11.	Gotlieb, Heidi; Konecni, Vladimir J.; [Koneèni]	The Effects of Instrumentation, Playing Style, and Structure in the Goldberg Variations by Johann Sebastian Bach.	MPerception	3	1	Fall 1985	87-102
	12.	Gjerdingen, Robert O.	'Historically informed' corpus studies.	MPerception	31	3	Feb 2014	192-204
	13.	Batt, Robert	Comments on 'The effects of instrumentation, playing, and structure in the Goldberg variations by Johann Sebastian Bach.'	MPerception	5	2	Winter 1987	207-213
	14.	Huron, David; Fantini, Deborah A.	The Avoidance of Inner-Voice Entries: Perceptual Evidence and Musical Practice.	MPerception	7	1	Fall 1989	43-48
	15.	Thompson, William Forde; Cuddy, Lola L.	Sensitivity to change in chorale sequences: A composition of single voices and four-voice harmony.	MPerception	7	2	Winter 1989	151-168
	16.	Huron, David	The Avoidance of Part-Crossing in Polyphonic Music: Perceptual Evidence and Musical Practice.	MPerception	9	1	Fall 1991	93-103
	17.	Huron, David	Tonal Consonance versus Tonal Fusion in Polyphonic Sonorities.	MPerception	9	2	Winter 1991	135-154